Quilts in Design: a Patchwork Philosophy
Austin Interior Designer Amity Worrel Examines the Radically Chic History of Quilts
If you’ve followed my blogs for any length of time, you already know this about me: I love a patchwork pattern. I adore quilts, along with the craft, the history, and the humble poetry of stitched scraps turned into beauty. I love that they represent early American ingenuity, where people made art from what they had on hand.
But more than anything, I love what quilting stands for. It’s democratic and communal. It’s domestic and political. It’s beauty born from necessity, creativity spawned from constraint. A quilt is never about perfection. It’s about connection.
And yes, I even love the heartbreakingly lovely (if sorta cheesy) Dolly Parton story and song “Coat of Many Colors.”
“Momma sewed the rags together
Sewin’ every piece with love
She made my coat of many colors
That I was so proud of”
That story of pride, resourcefulness, and love stitched into something others dismissed as shabby is the story of quilts themselves. It’s the story of how women, often dismissed, too, used the materials of daily life to create comfort, expression, and endurance.
And how they turned their resourcefulness into something that is actually very chic.
The Democratic Beauty of Quilts

The origins of quilting trace back thousands of years. Egyptian carvings show pharaohs in quilted robes as far back as 3400 BCE. By the Middle Ages, European armor was padded with quilted layers for warmth and protection. But in early America, quilting became something uniquely profound: a form of art, survival, and social connection.
Settlers repurposed worn garments and leftover fabric, stitching them into patchwork quilts that were both practical and beautiful. “Quilting bees” became essential social gatherings, spaces for women to share stories, exchange ideas, and build solidarity while their hands worked.
Over time, quilting evolved into a visual language of expression and protest. Enslaved women used quilts to preserve family heritage and tell stories. Suffragists sewed messages of equality into banners and bedcovers. Decades later, the AIDS Memorial Quilt turned grief into activism, blanketing the National Mall in remembrance and resilience.
Whether personal or political, the quilt endures as one of the most democratic art forms ever created.
From Cozy to Couture
Now, lest anyone dismiss quilts as too homey or old-fashioned, allow me to present Gloria Vanderbilt.
Gloria Vanderbilt: Patchwork Perfection
Vanderbilt was famously obsessed with quilts. She covered her New York bedroom—walls, ceilings, even floors—with antique patchwork fabrics. She lacquered quilts into doors and furniture, used varnished fabric squares for flooring, and turned her rooms into kaleidoscopic shrines of patchwork pattern. She even commissioned Adolfo to make bespoke suits from antique quilts, which she and her husband wore like eccentric royalty.

Her fascination was both glamorous and philosophical. “Isn’t it extraordinary,” she said, “how something as simple as quilts from America suddenly begins to relate to Russia and the East—to become exotic and mysterious when used in a certain way?”
To Vanderbilt, patchwork was a metaphor for life itself, a collage of experience and style. She turned sweetness into sophistication, comfort into couture.
And she wasn’t alone.
Ralph Lauren: Americana Reimagined

While Vanderbilt embraced the maximalist romance of patchwork, Ralph Lauren refined it into an emblem of American nostalgia. He defined the language of prep. Think of those early advertising campaigns with the weathered barn, the denim shirt, the vintage quilt thrown casually over a bed or a model’s shoulders.
Lauren understood that quilts weren’t just decorative; they carried history. He used patchwork as a visual shorthand for authenticity, evoking a sense of comfort that felt both aspirational and familiar. His quilted jackets and patchwork denim revived the humble craft as luxury Americana, reminding us that elegance often begins with what’s handmade.
Dolce & Gabbana: Baroque Excess and Rebirth
On the other end of the spectrum, Dolce & Gabbana took patchwork to the runway. In their Spring/Summer 2021 collection, models walked the runway in kaleidoscopic garments made from scraps of floral brocade, silk, and tapestry.
Their message? Imperfection is power. Patchwork became an expression of abundance, not lack. It celebrated contrast, chaos, and individuality, the same qualities that make human life (and good design) interesting.
From Italian couture to Tennessee mountain songs, the message remains the same: beauty and comfort can coexist on the same plane (or patchwork quilt).
Why Do We Reject Sweetness?
So why, then, do some people still cringe at quilts? Why do we turn away from what feels “homey” in favor of the sleek, the new, the hard-edged?
I suspect it’s because quilts, like many traditionally feminine arts, remind us of vulnerability, care, and emotion. They refuse to apologize for being warm. They challenge the idea that sophistication requires detachment.
But comfort is not the opposite of cool. Sweetness is not the enemy of style. A quilt, with all its mismatched pieces and imperfect stitches, holds a kind of truth that minimalism can never touch: life is meant to be lived in, not staged.
The Patchwork Home

In many ways, every home I design is its own kind of quilt.
At Amity Worrel & Co., we combine eras, influences, and textures to tell the story of the people who live there. We embrace contrast: a mid-century chair beside an heirloom sideboard, a folk textile next to modern art, a riot of pattern balanced by calm restraint. Each element is different, yet stitched together through intention and care.
That’s what makes a home alive. It’s not the perfection of the pieces. It’s the harmony of the whole. The same is true of quilts, and of life.
Comfort, Beauty, and Rebellion
Quilts may be comforting, but they’re also radical. They’re proof that beauty doesn’t need to be new, expensive, or exclusive. They show that glamour can come from care, that sustainability and sensuality aren’t opposites, and that what we make by hand still holds power in a digital world.
To wrap yourself in a quilt is to honor all those who stitched before you, women, artists, dreamers, and designers, who understood that comfort is not complacency. It’s a connection.
And really, what’s more stylish than that?
Amity Worrel
Amity Worrel is an award-winning interior designer based in Austin, Texas. She has worked on high-end interior design projects for tastemakers coast-to-coast. In 2008, Amity decided to bring her passion for personal design back to her hometown of Austin. Her spaces pull from timeless design concepts and are rooted in her principle of design for better living. Her work has been published in national and local publications, including The Wall Street Journal, House Beautiful, HGTV Magazine, Better Homes and Gardens, and Austin Home. In her free time, she loves perusing estate sales and diving into design history. Learn more about Amity.